Attēls:Bram3.jpg
Sākotnējais fails (801 × 1 090 pikseļi, faila izmērs: 152 KB, MIME tips: image/jpeg)
Šis fails ir no Vikikrātuves. Tā apraksts no attēla lapas Vikikrātuvē ir parādīts zemāk. Vikikrātuve ir brīvi licencēta failu krātuve. Tu vari tai palīdzēt. |
Kopsavilkums
Bramantino: Crucifixion | |||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Izpildītājs |
|
||||||||||||||||||||||||||||
Nosaukums |
Crucifixion label QS:Lja,"磔刑 (ブラマンティーノ)"
label QS:Larz,"الصلب (لوحه)"
label QS:Luk,"Розп'яття"
label QS:Lnl,"Crocifissione"
label QS:Lru,"Распятие"
label QS:Lpt,"Crucificação"
label QS:Len,"Crucifixion"
label QS:Lzh,"受難耶穌" |
||||||||||||||||||||||||||||
Object type | glezna | ||||||||||||||||||||||||||||
Žanrs | reliģiska māksla | ||||||||||||||||||||||||||||
Apraksts | |||||||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||||||
Datums |
1503. gada - 1511. gada date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1503-00-00T00:00:00Z/9,P1326,+1511-00-00T00:00:00Z/9 |
||||||||||||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||||||||||||
Izmēri |
augstums: 372 cm ; platums: 270 cm dimensions QS:P2048,+372U174728 dimensions QS:P2049,+270U174728 |
||||||||||||||||||||||||||||
Kolekcija |
institution QS:P195,Q150066
|
||||||||||||||||||||||||||||
Accession number |
981 (Breras mākslas galerija) |
||||||||||||||||||||||||||||
Atsauces | |||||||||||||||||||||||||||||
Avots/Fotogrāfs | Paša darbs, user:Emmeu | ||||||||||||||||||||||||||||
Atļauja: (Šī faila izmantošana citur) |
|
Šajā failā attēlotais
attēlo
Crucifixion angļu
image/jpeg
checksum angļu
38b851789a878858fad8b5884e1b3e1f340d4372
data size angļu
155 538 Baits
1 090 pikselis
801 pikselis
Faila hronoloģija
Uzklikšķini uz datums/laiks kolonnā esošās saites, lai apskatītos, kā šis fails izskatījās tad.
Datums/Laiks | Attēls | Izmēri | Dalībnieks | Komentārs | |
---|---|---|---|---|---|
tagadējais | 2006. gada 26. novembris, plkst. 17.32 | 801 × 1 090 (152 KB) | Emmeu | Bramantino, ''Crocifissione'', Milano, Brera |
Faila lietojums
Šo failu izmanto šajā 1 lapā:
Globālais faila lietojums
Šīs Vikipēdijas izmanto šo failu:
- Izmantojums ca.wikipedia.org
- Izmantojums es.wikipedia.org
- Izmantojums fr.wikipedia.org
- Izmantojums hu.wikipedia.org
- Izmantojums ja.wikipedia.org
- Izmantojums pl.wikipedia.org
- Izmantojums uk.wikipedia.org
Metadati
Šis fails satur papildu informāciju, kuru, visticamāk, ir pievienojis digitālais fotoaparāts vai skeneris, ar ko veidots fails. Ja šis fails pēc tam ir ticis modificēts, šie dati var neatbilst izmaiņām (var būt novecojuši).
JPEG faila komentārs | BRAMANTINO
(b. ca. 1460, Milano, d. 1536, Milano) Crucifixion c. 1515 Oil on canvas, 372 x 270 cm Pinacoteca di Brera, Milan This painting may have come from the church of S. Maria di Brera. At one time it was probably an organ shutter. It was formerly attributed to Bramante. A late work, this painting reveals Bramantino's background. His roots were in the art of Ercole de' Roberti, the most energetically emotional fifteenth- century painter in northern Italy. It is from this source that Bramantino drew his highly dramatic style, which led him to freeze the tragedy of the Crucifixion within a framework of lucid abstraction. At the same time he seized the opportunity to seek out new means of formal expression. The crosses of the two thieves are arranged in terms of a centralized perspective, creating a space almost like an interior, and leading directly to the background where typical Bramantino buildings are silhouetted against an evening sky. (One of the buildings resembles the Trivulzio mausoleum, which was designed by the artist.) The marked bisymmetry of the painting, with angel and demon, sun and moon, is less structured in the choral rhythm of the foreground. The Madonna's grief is represented within the circle described by the hands of the saints, while the Magdalene lifts her arms toward the cross as if to raise it up to heaven. A strict intellectual approach dominates the colour scheme, in which subdued olive greens, golden grays and browns predominate. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 22 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/schutz_7worte.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Heinrich Schütz: Die sieben Worte am Kreuz SWV 478</B></A> </TD></TR></TABLE>
--- Keywords: -------------- Author: BRAMANTINO Title: Crucifixion Time-line: 1451-1500 School: Italian Form: painting Type: religious |
---|